When we first meet Adonis Johnson in 1998, he’s serving time in juvenile detention.  He is coiled rage, ready to strike, fists gripped tight.  No one can get through to him – at least, until Mary Anne Creed (a returning Phylicia Rashad) comes into his cell and drops a bit of familial truth on him.  Adonis’s fists slowly unclench, and his eyes grow wide.  “What was his name?” he asks, and we smash cut to the title.  At that point, Ryan Coogler’s CREED owned me.