If you happened to read my Best Films of 2015 list, you would have noticed near the top of that list sat this film that I was lucky enough to see at Fantastic Fest last year. With its official wide release coming this Friday, I felt it appropriate to expand more on my love for this film, and give you all a more in-depth look at what I feel a “true” horror film is...
Read moreDeadpool Movie Review
I said something similar to last year when Fury Road came out, which after seeing this movie begs repeating: “The fact that this movie even exists is a triumph.” Not to get lost in the history of the project, but I’m very confident some of you may not even remember the fact that Ryan Reynolds has played the foul-mouthed, psychotic, Marvel comics mercenary Wade Wilson/Deadpool before - in 2009’s X-MEN ORIGINS: WOLVERINE. The main problem there was that the geniuses behind that film took a character whose most evil weapon is his mouth and literally sewed it shut… Then poor Reynolds had another shot at superhero stardom a couple years later with GREEN LANTERN, and the less said about that the better. (Yes, he acknowledges both of those movies in Deadpool.)...
Read moreThe Worst Films of 2015
First, the good news: 2015 was a fantastic year at the movies. There were great original stories, sequels done right, adaptations that match their source material, and more. But for every great movie, there are a ton of bad ones too. For those of you with short memories, 2015 was also when we watched Ed Helms (The Office, The Hangover) bathe in raw sewage, the Entourage crew prove their alpha-douche toxicity could not be contained to the small screen, and a recent Oscar winner giving such an over the top, hammy performance while at the same time wearing such a sparkly costume, that I reckon he’s been taking wardrobe inspiration from Jareth the Goblin King (if you haven’t seen Labyrinth, you really should).
Read moreThe 15 Best Films of 2015
I'm often able to squeeze in a dozen or more films in the last couple weeks of December - mostly stuff that others have told me is worth checking out that I either missed when it came out in Chicago or titles that simply never came out locally. I hope you dig the list and that it gives you some ideas for purchases, streaming, rentals, and most importantly, going to the theater and checking them out on the big screen (a few of these are still in theaters). I saw a lot of good movies this year, so condensing this to 15 was not easy...
Read moreThe Hateful Eight Movie Review
Quentin Tarantino's unrequited love for 60s era spaghetti westerns is again on full bloody display in The Hateful Eight. It is a gruesomely violent, garrulous, and protracted homage to a style of filmmaking the director fervently adores. Shot in 70mm with an overture, intermission, and score by the legendary Italian composer Ennio Morricone; The Hateful Eight clocks in at a staggering three hours and seven minutes. The film is an ugly, yet fascinating discourse on race relations and loyalty.
Read moreThe Revenant Movie Review
Years from now when people look back at “The Revenant,” one thing is really going to stand out – the brutality of this film. This movie depicts both man and nature at their worst and it absolutely glues you to the screen. The movie is part survival story, part revenge tale and it depicts both unflinchingly.
Read moreStar Wars The Force Awakens Movie Review (Spoiler-free)
The movie's good. Damn good, actually. Besides one noticeable throwaway mention early in the movie there's almost nothing from the prequels on display. It's clear as crystal this is a course correction and a direct continuation from the original trilogy. Nothing negates the prequels, mind you, so prequel fans don't need to get immediately defensive. No, it's just that the focus is squarely on capturing the OT tone, sense of fun and adventure and continuing THAT story.
Read moreCREED Movie Review: A Love Letter
When we first meet Adonis Johnson in 1998, he’s serving time in juvenile detention. He is coiled rage, ready to strike, fists gripped tight. No one can get through to him – at least, until Mary Anne Creed (a returning Phylicia Rashad) comes into his cell and drops a bit of familial truth on him. Adonis’s fists slowly unclench, and his eyes grow wide. “What was his name?” he asks, and we smash cut to the title. At that point, Ryan Coogler’s CREED owned me.
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