The moment when you discover what Starship Troopers is really about is one of the great eureka moments in the life of any young movie dork. I’ve got vivid memories of sneaking into and staggering out of a suburban multiplex in 1997 and sputtering, “What the fuck was that?” To my young self, it was basically Saved by the Bell plus giant alien bugs cutting people in half. And since I liked the spectacle of giant-monster-related carnage, I wasn’t even mad. I was just confounded. Like: Why were all the human characters so stupid? Could it be possible that a movie so big and expensive could also be so blindingly, knowingly dumb? And how is someone going to make a grand-scale blockbuster with Doogie Howser, MD as the most famous person in the cast. (Neil Patrick Harris was still unequivocally Doogie at that point; he would remain Doogie until the first Harold and Kumar flick. Look, 1997 was a long time ago.) And when a friend’s mom told me, years later, that the movie was really about fascism and militarism, I absolutely thought that person was full of shit (sorry Ms Spurlin). But that’s exactly what it is. Starship Troopers may be the greatest joke ever played on the American movie going public.
Read moreAsh vs Evil Dead: Return of the King
THE KING IS BACK BABY! The first episode alone is an incredibly intoxicating short film from a master storyteller. It builds with a rush of fire, delivering scene after scene in a tsunami-like punch of sure-to-be iconic images that fall right into place with the first three films in this legendary horror franchise. It delivers exactly what fans have wanted and waited for these past thirty years. And it does so at a hectic trot that never slows down. The episode comes to its crescendo with an action packed encore that is better than anything I’ve seen on premium cable this year (though the white walker invasion scene in the new Game Of Thrones series is up there).
Read moreGoosebumps Movie Review
In today's day and age, there are films, like the new Fantastic Four, that people seemingly want to be bad. Though, in their defense, that film was bad. Like holy hell that was bad. Then there are films, like The Amazing Spider-Man 2, that want to be good, but are still no better than before. Goosebumps, however, is one of those rare films that looks bad based on all empirical evidence that I’ve seen, but is actually quite enjoyable… for the most part.
Read moreBlack Mass Movie Review
It’s no small compliment from me when I tell you that I believe Scott Cooper’s Black Mass can run with Scorsese’s mob trilogy of Goodfellas, Casino and, especially, the South Boston-flavored The Departed. It's that dirty, nasty and compelling. Now there’s no question that Cooper is retracing steps that were laid in the blood-soaked mud by Scorsese’s enormous shoe. But if you dialed into the madness and menace of those aforementioned crime sagas, then Black Mass is right up your alley.
Read moreFantastic 4 Film Review
I feel that I should preface this review by stating that I am not the biggest fan of Fantastic 4 from any iterations of the comic book, so my expectations have been not at all high that someone someday will make a live-action Fantastic 4 movie that works. Fox’s latest attempt, directed by Josh Trank of Chronicle fame, doesn’t necessarily get things wrong as much as it doesn’t get the things it needs to right, which is a shame because there are a lot of interesting ideas that probably would have worked well in comic form. But what it amounts to here is essentially a 100-minute long trailer to a movie we never end up seeing, or better yet, wouldn’t want to see.
Read moreAnt-Man Movie Review
AVENGERS: AGE OF ULTRON has about the same problem that ANT-MAN has in this critic's opinion. To a major extent, too much of this film feels like Marvel is just checking off entries to a list and not allowing this film to breathe on its own. Granted, for ANT-MAN it’s more of an annoyance than anything else. But while I do appreciate and admire the scope of what Marvel is still doing, which frankly hasn’t been attempted at this extent before, it can lead to a frustrating film-going experience for some when you can sense how much the movie wants to break away and do its own thing.
Read moreSuicide Squad SDCC 2015 Trailer
Suicide Squad Trailer from SDCC 2015
Read more'Daredevil' Series Review
Marvel Studios has always been a mixed bag for me. When they’re able to be very true to their characters and make the plot hit the beats of the big storylines, we can get a Guardians of The Galaxy or Winter Soldier out of them. Or, we can get a convoluted bag of half thought-out ideas with numerous plot holes, but they’re so visually interesting on screen we try not to think about it (aka Avengers: Age Of Ultron). When Marvel is able to make me believe all of these things share a continuity, it’s when I get most invested in theses movies of theirs. But one thing that is easily found in the source material that I don’t see in the movies are the normal people, the neighborhoods, and the rest of the world. Enter “Marvel’s Daredevil,” the first of five planned Netflix shows, which provides the exact storytelling boost that the MCU needed in my opinion.
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